For Nomor, the mornings of winter and spring were hardest to wake from. His world, in those six months of chilly, white-out morns and crisp, star-lit nights, moved only as quickly as the snow fell.
The snow, at this time of the year, fell lightly.
Nice opening. Kind of an establishing shot, and nicely poetic.
Knuckles and joints popped as he propped himself up with an arm bruised along the wrist, purple as his torso was. The whittled door, rent to shreds, offered only an uncomfortable reminder, a reminder that the woman he had known for four nights was nothing more than a conniving beast of some kind. His heart was wounded doubly : once from the very real incision she gave him under his shoulder blade, and another for his loss of trust.
Technically I don't think his heart could be literally wounded. He'd be dead.
She still had the kindness, or at least enough fear, to flee with Nomor’s clothing strewn in a trail. Droplets shrank, splattered, and distanced themselves from one another from where she took flight only hours before.
This confused me. Fleeing due to kindness? Or fear? Very different motivations. I'm left wondering how the fight actually ended. Did he fight her off, or did she leave him alive when she could have killed him? And what's with the clothes? Was she carrying them away as she fled, dropping them as she went? Why? Also, following "clothing strewn in a trail" with "Droplets etc" is a weird switch from one kind of trail to another.
The trail ended abruptly not past twenty yards out, with a single feather marking where she had taken flight.
Nice. I'm intrigued by the possibilities here, without needing to know right away if she's winged or a shapeshifter or what.
Given his current condition, he elected to go back to the village. He never imagined that he would consult with the same shaman that cast him out and called him a demon, but he had his obligations and oaths in order, oaths he would not break for fear that he would be chased out of the only lands he knew.
Hm. He's been cast out, but he's afraid of being even MORE cast out? I guess I could buy that, but you haven't sold me on it yet. Maybe some details about whatever marginal life he has could fit in here.
Noon was a dark overcast, and for that Nomor was glad. The ground was blanketed in snow that went up to the ankles. Had the day been brighter, the snow would have blinded him with a field of white; he would not see the crevices that marked rivers, streams, and creeks, nor the little fox-holes, nor the tracks the passing bears, mammoths, and other wildlife would leave. No bow or spear would defend him until it would be far too late, if he had any.
Nice. It's a nitpick, but maybe "EVEN if he had any," since he doesn't.
The clouds were their brightest by the time Nomor had found the effigy, this time a man-sized doll clad in strange, shining scales of gray. Usually, he would find the replica of another tribe’s chieftain at the stake, to give offense and warning to any passing party, but men clad in fish scales were a new sight entirely. Similar effigies could be seen pinned to booby-trapped pines, with burn scars and chinks in the clothing; they were warnings of what kinds of traps had lain in wait. In contrast, a small little cavity at the base of a cluster of bone-white aspen opened into a snug tunnel.
Interesting, but a little confusing. Warnings of traps that HAD lain in wait? How is that a warning? And why would you warn your enemies about traps anyway?
So Nomor crawled into the tunnel at the fork of the aspen ring, a relatively safer entrance into the forest, which soon became a labyrinth of intersecting paths darkened by a tight weave of thousands of crossing branches. He kept his form small, as the lack of leaves belied the fact that the branches were young enough to snap and slice through tendon and tissue. Plenty enough to halt the progress of an entire warband, if necessary.
Yyyeah, no. That's just not how branches work. Young branches are more flexible and less likely to snap, and if they did, it wouldn't be with enough force to cut through tendons with wood. Traps I'll buy, but dangerous branches? Not convinced.
In both instances, the briar had hooked into his skin. Where they had hooked onto meat, windrows of overturned skin gave way to florid flesh. And where had the florid flesh laid bare to softened leather coarsened at the hem, blood spilt, dripped, and trickled as a springtime creek would.
Florid prose, more like. I think you could cut this paragraph.
He could hear the hollers now, how the bells had clamored up a storm of half-waken guards and men when his foot snagged on a wire. Perhaps those strange men had came to the village.
'Perhaps those strange men had come to the village' seems like a non-sequitor in the middle of the action, here -- and you put the snagging on the wire after the consequences. I'd rearrange this. Snag his foot, set off bells, have people yelling.
Bones jutted out from above and around, mere inches from his face. The cream-colored ribs flattened into spearheads, the kinds with sawtooth edges and scythe-like hooks. At the end of the tunnel, a face worn and dark as the pines met Nomor’s with a squint and a stare. Thin lips and eyelids pressed against one another before the face lifted itself away from the mouth of the tunnel, and the spears followed similarly.
The first sentence confused me. I'd say 'spearheads' rather than 'bones,' and then say that they're bones afterwards. Otherwise people are going to get entirely the wrong visual at first.
A flurry of crunches ebbed and faded as the men walked back to their occupations. Fence-weaving, weapon making, leather kneading, and bone breaking resumed under the hubbub of laughing children and singing women, a warband forming in the guise of what the village called “hunts”. Nomor, as he crawled out of the tunnel, heard a soft chuckle from behind.
Again, I think you're putting things in the wrong order here. He's in the tunnel, he can't see what the men are doing. Get him out of the tunnel, have him look around and SEE what's going on. Maybe with some indication of what the men think of a visit from the man their shaman cast out as a demon? Are they at all afraid of him? Or more contemptuous? Startled to see him back?
“We’ve lost two before we found the fish-men, but we’ve learned many things. Too much, some of the elders say. They are men inside all the same, and that they bleed the same red as we do. That they have come to do the same as this tribe has done for many winters; we are preparing for when they come in full force.”
The voice, high-strung and intoned in deep lows and squeaky highs, registered itself to that of the shaman.
Aaand the shaman doesn't mind that he's back? Just dives right into some exposition for us? I want some emotional content, dammit. You can get to the information about the fish-men, but you need some tension in the conversation first. The shaman cast him out, he's barging in, I'm not convinced those men shouldn't STILL be pointing spears at him -- until his desperate story about the woman/monster convinces the shaman to tell them to stand down.
“You seem to know of the woman,” Nomor spoke.
He does? I see no indication of that in what he said.
“Of her, I do.” Footsteps approached. “More beast than man, more skin than walker. But she is not unlike most witches. Come, come. I must bless my brethren.”
Good lines. But again, I feel like there could be so much more dramatic tension in this conversation.
Inside the hut, the shaman rifled through various bauble-filled bowls. All of their contents were strange to Nomor’s eyes : glimmering gray scales, twinkling bands inset with little sky-colored beads, and inexplicably thin wood bark marked with black symbols were all cast onto a mat of stretched rabbit hide. The shaman undulated and cried out in a loud voice as he took his staff and struck the bark, then the band, then the scale. The bark snapped, the band bend, but the staff bounced away, impervious to the shaman’s blow. The two looked at each other; Nomor’s brows furrowed, and the shaman’s eyes widened.
...I'm so confused. Do you mean the scale bounced away, not the staff?
“Should I concern myself in this matter?” Nomor's asked. He picked up the band and held it to the light above. “I may be able to speak with them.”
This seems like an odd offer to make, considering how aggressive the scale-people seem. Speak with them... to what effect? Unless Nomor is some kind of silver-tongued diplomat... which doesn't seem like what you're doing here.
“No.” The shaman swiped the band from Nomor's hand, and placed the bark, scale, and band back into the bowl. “The danger you have brought to us is more immediate. You will kill this beast that wears the likeness of our men, and then you will return so that I will have time to determine your use. But do not return without the egg.”
First, isn't it wearing the likeness of their women, or a particular women, not their men? Also... I'm not convinced you should do this, where the shaman knows about the egg and tells him to bring it back. I think it would make a better twist if Nomor finds it himself.
The shaman descended into a tirade in an old tongue, blasting a colorful, old language in a string of curses as he threw pouches and bowls aside. He procured a root that had frost caked to its exterior. It seemed as though a lasting cold had sprung from inside, since the shaman’s finger became coated with a layer of ice. Whooping and a great thundering of footsteps rang from the outside.
What? Why is he suddenly swearing? He knew she was a shapeshifter. And then there's random whooping and footsteps? Except three sentences later the camp had gone from 'cheerful clamor' to silence?
“Ingest this when you find the beast.” The shaman tossed it to Nomor. “But not all; you may need more for the fish-men.”
He'll give him a (presumably rare) potion-equivalent, but not a frigging spear? Why won't he give him weapons?
Nomor exited the hut, and squinted when sunlight flashed into his eyes. As he blinked, he found the camp, once filled with a cheerful clamor, had fallen silent. The children, once free to roam about the village grounds, stood by in the entrances of their hovels, their mothers’ arms cradled around their progeny’s necks and chests so as to keep them from venturing out too far. The men, as soon as they gave their last farewells, left the village by the north in clusters of two or three. Fresh powder lifted by a light breeze drew veils around their figures.
Their silhouettes, with the rising of the winds and the setting of the sun, were quick to become one with the greying snow.
This is lovely, except for the part where the village is presumably surrounded by the two miles of branch-tunnels. Or if there's a way to leave in the open (where silhouettes might be seen), why didn't Nomor go around that way?
~~~
Whew. Okay, still not done, but let me know if this level of critique is more helpful than annoying. I do think you've got something with potential here, but I think it does need work... and I'm honestly not sure where you'd begin to make it interactive. Maybe backtrack to when he first finds the 'woman'? Anyway, you'd be reworking it a lot, so I'm not sure if this paragraph-by-paragraph critique is actually what you're looking for. If it is helpful, though, I'll get back to it.