Saoirse

A masterpiece. I'm a student of this period of history. I never thought I would ever actually die by Pearse's side or fight with Cathal Brugha, but now I have! Thank you for giving me this opportunity! So, why is this story on this website? This NEEDS to be turned into an epic video game!

I'm proud of the initial ending I got. I sacrificed myself by charging the machine guns so my comrades could escape the GPO. I died during the Easter Rising as a true Irish hero! But let me tell you, that decision whether to support the rising or oppose it was tough, especially since I knew the future. But I stayed in character and did my duty as a soldier... and it ended exactly as I expected. And I have no complaints. We know what we sign up for.

But the HARDEST decision of all, as I'm sure it was for the actual people who had to make it in real life, was whether to support the Free State Army or join the anti-Treaty IRA. Too bad there was no option to stay on the farm for that one, because that's definitely what I would have done in real life.
Sentimentally, I'm on the anti-Treaty side, of course. That treaty wasn't what we fought for. My friends didn't die so Ireland could become Canada. But I would not be willing to kill my comrades who I had fought against the British so hard with just to nullify it. Treaty? No. Killing my friends so I can tear up the treaty? Even bigger NO! And Mick Collins made a good point, the treaty could be a stepping stone to real freedom, which could be achieved through a political process. Maybe we should give the treaty a chance... But join the Free State Army and kill the men who my sentiments are actually with? Not a chance of that either. That would be a betrayal of my own heart. So, in the end, I joined the anti-Treaty IRA simply because my little brother did, and I felt I should watch over him as best I could.

Speaking of which, GREAT character development too. I really developed strong feelings for Joseph, Mary, Ma and even Arthur! I really felt like they could be my own family. And THANK YOU for resisting the urge to make a romantic subplot. Not to say that romantic subplots can't be good sometimes, I'm a romantic at heart, but in this story, it just would have been completely gratuitous and an unnecessary complication. Besides, there's more than enough filial love in the story.

Please write more stories like this. Ireland isn't the only country that's suffered greatly. You can write another one set in Africa during decolonization. Like, Congo-Braz during the 1950s and 60s. (And the Irish fought there too, at Jadotville.) Or Cuba during the same period, with their revolution and the Bay of Pigs and the missile crisis. Write it so you can be either with or against Castro. Or Mexico! Look at what was going on in Mexico at about the same time as the Irish War of Independence. Viva Villa! Viva Zapata! Or, maybe the best idea of all, set a story in present-day Hong Kong or Tibet to raise awareness of those folks' struggle there. Watch. The words "Hong Kong" and "Lhasa" could very well be spoken in this century the way the words "Dublin" and "Belfast" were spoken in the last...

Anyway, I'll let you get to it. Thank you very much for the fandabadoozy story, and please keep them coming!

Well after becoming addicted to a certain brand of Irish whiskey (Proper Twelve if you're wondering), it’s only fitting that Saoirse should appear on the Storygames in Need list. Strap yerself in laddy, this is going to be a bumpy one.

Instantly, I am reminded of my high school English class (which is ironic for this story). Basic hooks to draw the readers into stories include action, outbursts, surprises, questions, quotes, and a few others. Saoirse starts off with a very interesting, thought-provoking quote. "We are all in the gutter, but some of us are looking at the stars." Not being Irish or even remotely aware of the cultural history, it’s an interesting statement to say “only an Irishman would understand subjugation”. In context, it seems to be relating the Irish to the English. The English are starkly contrasted against the Irish in regards to “muck”, “gutters”, and “common”. Actually on second thought, the statement may be hyperbole to show emphasis. I guess either way, it paints a picture of the Irishman and is a glimpse into the historical struggle of the Irish.

I am a big fan of including optional history links. I think it’s a tremendous use of the CYOA format, especially with the site’s online formatting. After all, you can’t include optional pages in a real book. And let’s be honest, no one reads prologues in novels. Give me necessary background history organically, include optional in-depth lore (history in this case), and don’t burden me with any of it. Saoirse does this wonderfully.

The biggest flaws I’ve seen in Edutainments are in poor immersion and just flat out boring writing. Saoirse does not succumb to such things. From the opening page, I’m sold on the backstory for the main character I’m playing as and brought into a time period of conflict. The urgency and suddenness of being thrust into war, along with the conflicting viewpoints of the family put me into a “can’t set the book down” state. I had to find out what was going to happen next.

I have nothing but good things to say about Saoirse. The writing quality was excellent, engaging, and without errors (besides the first page). It keeps the educational aspect of the Edutainment, while not disregarding the entertainment part. This is one of the best stories in the category and I recommend for anyone looking to read an Edutainment.

A fantastic story. Both highly engaging, and informative.

The writing was engaging and the story striking right from the start. The opening page firmly establishes both the tensions plaguing the nation and the more personal conflicts concerning duty and freedom that each individual is dealing with. This excellent practice of exploring both personal and national ideals continues throughout the story. Along with this, the dialogue and narrative tone allows the reader to empathise with/warm to the family; they are presented as a typically strong and essentially loving family (hopefully the average reader will be able to identify with this) who together long for justice and peace.
I thought the newspaper was also a very nice touch, and good way to introduce some background information. Even these sections were not tedious or long-winded, but rather I was pleasantly surprised and impressed with their brevity and precision.

The story was genuinely educational, and I certainly learned a huge amount (of Irish history if nothing else) from reading it. This is an area of history that you will never hear spoken of at school here in England. This is not because there is embarassment over some of the actions of the British Empire (although there certainly is - notably in India), but because the serious ramifications of this conflict are still unfolding, and there still is a lot of tension. So seeing it all from an Irish perspective was truly enlightening, and gives rise to much philosophical thought. I wonder how many British people know that the things we despise the Nazis for doing to Jews during the second world war were no worse than what we ourselves had done/were doing to the Irish. It goes to show that nationality makes no contribution towards the potential for unspeakable wickedness that people have.

I also appreciated how well the horrors of war were brought to life in the "Great War" path. Even the somewhat random deaths helped create the impression that you as a soldier had almost no control over your own fate. In a world raining mortar shells and singing with lead rounds, only probability dictates your success in the face of the chattering monstrosities before you. The death by drowning in mud was also a good touch (or rather an accurate one; pretty horrible.)
The only problem with this section was that it seemed a little rushed (or rather it was quite short - which is completely understandable), and that the deaths of your comrades were rather meaningless (they felt impersonal), as you were given no introduction to the other members of your unit. I felt a little time getting to know and warm to them would have been effective. That said, I simultaneously believe that this somewhat detached viewing of so much death, carnage and destruction accurately portrays the indiscriminate, all-consuming nature of war, and the nameless anonymity of so many of it's hapless victims.

The overall structure of the story was absolutely spot-on. Not only was it of great length, but there were also many different paths, weaving their way through to converge at chapter-like intersections. This allowed for great variation and yet efficient use of space.

The personal element of the whole tale was something I loved. There is a beautiful sense of community, family, and fervent patriotism present throughout the whole story (such as when you meet up again with your family at intervals) - by the end I practically felt half Irish myself! That means something quite special was going on with the story-telling - but not in fairy-tale like manner. Even the potential conflicts with Joseph and his own ideals (you are allowed to side with or against him) drive home the gravity and desperate sadness of the situation. The writing was emotionally 'appealing' (in a powerful, not soppy sense.)

Many philosophical questions were raised throughout the work. Moral philosophy in particular, but also questions concerning duty, loyalty, fraternity, equality, liberty and so forth (some parallels to the French revolution then.) There were some incredible passages particularly at the end but also in other places that I think are brilliantly written. One such example that I just had to include: [Every man is] just doing what he thinks is right. At the end of it, that's all anybody ever does, be it the Hun aiming down his rifle, the IRA man crouching in the bushes, the Brit patrolling the streets, the Free State soldier attacking the Four Courts or the anti-Treaty fighter firing his revolver." I think this is an excellent example of how thought-provoking this story is. It pushes the idea that there is ultimately no "good" or "evil" faction - only moral or immoral men. I loved this.

I was overwhelmed by the sheer number of errors in the writing. Spelling mistakes, inconsistent tenses, wrong name use, even variable errors (paragraphs accidentally appearing when they shouldn't have for a particular path), almost every type of mistake imaginable was present, and in great quantities. Now this doesn't render it unreadable as the writer is clearly competent at speaking English. Basically it just hasn't been proofread or edited. I began cataloguing the errors, but soon stopped when I realised that there was at least one on almost every page. It's a shame because it really did interrupt the reading experience in some cases.
Along a similar vein, there were sections of the story that didn't really flow. There were sentences that read very awkwardly, which I stumbled/fumbled/bumbled my way through, but the basic impression I got was that parts of this had been writing at around four o'clock in the morning. Some expressions were sloppy with repeated word use in the same sentence. This slightly ruined some parts.
Some sentences were too long, e.g. the opening sentence in "Hundred Year Anniversary" page, I think it was. Readability is important, so while not technically a "problem", such sentences should be discouraged.

One final problem, is that the story got a little repetitive in areas. For example, as a pro-treaty irishman fighting against the IRA, you would be involved in conflict after conflict which got a bit monotonous by the attack at Bandon (which was thankfully the last one.) It would have been better to have had more "character" choices such as shoot/don't shoot Joseph (although they should not all be as dramatic as that - or it wouldn't seem so shocking) rather than just choosing between different battle tactics so often.

Overall highly recommended. 7/8 ignoring spelling mistakes.

This was awesome, I don't know why Ireland ever stopped fighting, they were so close to stopping British oppression.

At times haunting, at times triumphant, this story is wonderful. A truly educational experience.

This story touched the heart

fuckin awesome

Immersive and well-written story.

I love this game. Its an adventure packed education journey and the exact example of what edutainment should actually be! The main protagonist and his feelings deeply resonate with me, as do the feelings or his brothers and his families. The choices given, right from the start feel like there's a lot of weight to them, and that genuine feeling of nervousness one experiences is what I love about CYOAs.

Grammar and syntax had nothing much wrong in them, except for a few typos here and there, but not at all immersion breaking. Also that's another place where this shines. The sheer visual quality that we get to see with Steve's work is at its full, glorious display here.

In short, a little bit of patriotism sprinkled into an awesome Steve story, and lo and behold you have the best eduataiment story game on the site.

Was a damn good read. Great story, as well as a good lesson about the Irish Fight for Independence. The only issue I had was the occasional grammar error. Other than that, it's worth a read whether you're into Irish history or not.