A Zombie Apocalypse

Disclaimer: To the author and readers, I’m not a very experienced reader or professional reviewer, so please take my thoughts with a grain of sand.

This was a solid and very ambitious zombie game. The length alone makes it stand out, and there’s plenty of weapons, companions, and big set pieces to keep things moving. I liked how the tension stayed high through most of the run, though some early areas felt a bit too railroaded, with fewer meaningful choices than I expected.

The cast is massive, which fits the apocalyptic chaos, but a lot of characters barely last long enough to leave an impression. Nadine’s importance really only comes across once she’s already gone, which felt like a missed chance for more side-character impact. Still, the fact that I cared about a handful of them says the writing did its job.

The item system is fun but not always intuitive. Food use didn’t become clear until later in the story, and weapons can sometimes feel inconsistent, especially when you need to use newer weapons instead of the older ones since they become dead weight and you are never going to use them ( unless you want to get -10 to -30 hp damage ). That said, by the time you’re deep into the game, there’s such a variety of gears, you can close your eyes and point at a random part of your screen to choose what gear you're going to use.

The one real flaw I ran into was a bug: if you use the rocket launcher on page 273, it takes you to page 280, but there are no links there. The page doesn’t even say “no options,” it just dead ends. Not game-breaking, but still made me lower my rating to a 7/8. After that there is not much of importance unless you count some grammar issues.

Despite the rough edges, I had a good time. The scale of this project is impressive, and I respect the effort put into making a long survival story with this much content and gear.

My ending stats:
ARROWS is 0. ( didn’t use )
BULLETS is 119.
GRENADES is 3.
HEALTH is 20.
ROCKETS is 24.
SCORE is 1299.
SHELLS is 55.
SHOTS is 0. ( this one makes me wonder, even though I fired my guns many times and blasted many zombie heads, its still at 0 ).

Well, after getting completely and thoroughly confused by the fakeout ending right at the start (and wondering if I'd made a wrong choice somewhere), I did quickly get drawn into this world.

I did like the descriptions in this storygame, and it was really good to see that the zombies weren't the normal, average shuffling, low intelligence creatures that tend to appear so much in pop culture. I haven't really watched much of The Walking Dead (literally only the first episode), so I can't really say how much of that world was involved in the plot of this storygame.

I found it quite difficult to care much about the side characters at first, because there were too many of them who just showed up and then disappeared - whether fleeing or killed by the zombies. I was especially disappointed that the priest was killed so quickly after joining, since the narration indicated that he might have some valuable information. And really, the companions changed so rapidly, I couldn't really care about most of them. By the time the larger group left the city, I'd completely lost track of who was who.

I really liked the amount of items that could be picked up and used, although some of the items weren't actually effective...or they were effective at certain points and not at others...and there was no real reason that I could see for one item being able to be used over another one. And there was one page where I was facing off against zombies and used the shotgun shells (I had twenty and there were a dozen zombies), but the shotgun didn't work against them and sent me back to continue fighting...but also took the twelve pellets from the inventory.

Although there was a lot I could explore of the world, the story was very linear. I would have liked the opportunity to explore a bit more of the world. I also would have liked to be able to decide against the paths I knew were obviously dangerous - such as camping out in the trailer that had already been targeted by zombies once, or going into the prison that had obviously had an infection spread (otherwise the doors wouldn't have been left open).

I thought that Sonya's history about her parents dying in a fire, and her trauma surrounding it, made her an interesting character. It was good how what had hapened was gradually revealed as the storygame went on.

There were only two possible endings to the story and I did look at both of them, but I do question why there couldn't have been another option that didn't end up with either being stabbed and eaten by zombies, or having to kill someone else and effectively destroy your own soul.

I did enjoy the storygame, although I do kind of wish I'd had a bit more control and had the opportunity to save at least some of my companions. Obviously, a lot of work went into this storygame and it definitely shows. Definitely one of the better zombie stories I've come across!

More than definitely a great storygame. The story runs with the usual trappings of the zombie apocalypse genre, but remains an enjoyable experience. There's a lot of items, weapons and characters, all which have rather distinct personalities. I got to both endings and felt they were well-earned.

Ending Stats:
ARROWS is 0 (never used them).
BULLETS is 94.
GRENADES is 3.
HEALTH is 80.
ROCKETS is 2.
SCORE is 1305.
SHELLS is 54.
SHOTS is 0 (never used them).

SPOILERS:

I took a lot of notes for this story because of it's length. While it is a quality storygame, there are a few points where it could be improved.

Concerning characters, the story uses cliche characters usually seen in other zombie stories to make up its cast. It's good that there's a lot of them, but some barely get to have any presence in the story before they're killed. Sometimes, it seems like the goal is just to have them so that the cast seems fuller than it actually is. Of course, a genre staple is that characters die in abrupt ways to shock the audience, so this isn't completely unexpected. However, while the protagonist does get quite a bit of development for herself (the use of Johnny Cash's "Ring of Fire" is a good choice), the supporting cast never really gets that much in terms of dimension. Nadine is emphasized in the narrative, but more in hindsight than when she was actually alive. As a player, knowing that there are a couple of times where the player gets to rest, it could have been an opportunity to get to know the characters better before continuing the plot. It would have made the fate of the cast even more dramatic and tragic. I kept a list of all the characters that I met (22 companions, by my count). The ones that stick around more than the others could have gotten more backstory or had more time to bounce off of each other. Of course, while I do criticize, it's only because the story actually did make me care about at least some of them, and that's worthy of praise.

The first couple sections of locations have some flavor, but there aren't a whole lot of actual real choices. In fact, there's a literal crossroads point where the narrative makes a choice for you (168), reminding the player that this is a rather linear experience. Of course, it's still a good ride, but having more choices with consequence and variance of reward would be an even more enjoyable experience.

Items are well varied, though I didn't actually know that I could use food until 162 when it flat out told me that I could. Prior to that, I tried using food only to be told that the item couldn't be used at that time. In hindsight, I could have tried to use the food during other break times, so that's on me. I would say though, for narrative flavor, that the player doesn't have to be told literally to save and take a break. Diegetic language can communicate that and preserve immersion, and the player can be given credit to make the decision to save on his own.

The weapons are well varied, but there are times when the use of them is invalid for no reason, even if the context should allow it with no consequence. For example, I'm fighting zombies with Ralph at the Clothes Store, and there are two zombies. If I use one of the bats on one that is at critical durability, I successfully dispatch one while the other attacks, causing me damage (variable depending on the weapon that breaks). However, I then still have to continue to use weapons to "actually" kill the first target. This pattern repeats if I use the other weapons at critical disability. However, if I use the knife, which has durability to spare, I will then deliver a strike, successfully killing one zombie, and then Ralph will kill the other. This problem communicates to me as a player that I'm not actually supposed to use any weapon that has only 1 use left. I used the knife on the very first zombie, and that was the only one I had found that roamed alone. It makes the guitar and other items with only 1 use left as useless. It can break the immersion knowing that I have a weapon that is good enough to kill one zombie and know that the narrative will take care of the other one, but not if that weapon is about to break because then Ralph will just arbitrarily not kill his target, even though he's bound to do that anyway. This all becomes less of a problem as the storygame continues on past the first couple of areas, especially as you get a plethora of weapons, but the feeling
sticks with the player as he continues on.

And of course, there are the references. I enjoyed the character of Alex Emerick for the callback to classic disaster movies. I enjoyed the shoutout to the Walking Dead a bit less as it seemed too self-referential to the genre, but that's probably just a case of personal taste. Still, I liked the finding these things when I saw them.

Overall, I loved playing this game. Thank you for making and sharing this with the site!

Well... that was more challenging than expected. Had to retry 3 times just to get past the initial zombie attack (the sneaky End Game Here and rate or comment" did the trick) and now I'm commenting here after my first successful playthrough reaching the score of 275 (well not quite successful as I ended up being eaten by the zombies, but still). After the hell the main protagonist (and I as the reader) went through, the question posed right at the story description section is very fitting: "Can you survive?".

Judging by the title, the reader expects a survival adventure story, with a generic take on zombies and a cliché
protagonist who'll kill zombies along with their ever-growing team of survivors. But the last two couldn't be further from the truth. The generic, pop culture, take on zombies is ridiculed and debunked through an original take, a blend of the writer's imagination and probably inspiration from the Walking Dead (come on, it was way too obvious. A character named Will and his "fascination" with the Walking Dead.), while the main protagonist is a traumatized and depressed young woman who has lost both her parents and joy in life, but it's the adrenaline rush and survival instinct, the strongest in humans, which gives her a new purpose in life. The woman could make a good case study for anyone who likes writing them.

As much as this is a fight for survival against zombies (multiple theories on the relation between the protagonist's immunity and the zombies always seeming to catch up to her, but will save that for later), it was also an exploration of her psyche. She wasn't fighting only zombies, but also her inner demons: PTSD from watching her parents killed and survivor's guilt due to having to run away, leaving her short-time comrades to die again and again.

Aside from the minor annoyance, I absolutely loved the prologue. The names chosen for the city and her place of residence, prior to her first encounter with a zombie, serve as symbolisms for her mental state and the situation she was in. Lost City and Dead End. And the foreshadowing through the Call of Duty (kind of chuckled at the game of choice) passages was awesome. This and the clever usage of her dreams for the backstory exploration, on which I'm not going to expand (neither on other events) due to spoilers.

Grammar-wise, there weren't any noticeable errors, at least I didn't catch any, except for some commas missing at the prologue. It was brilliantly and beautifully written.

As a puzzle storygame, the primary goal is to survive against zombies, keeping your health stat from reaching 0.

Essentially there are three stat categories you need to keep in mind: ammunition, health and score. Similar to El Paso, you need to be very calculative when it comes to types of weapons chosen. Depending on the terrain, the physical build of the zombie, the tactic a mob uses and the type of weapon chosen, you could take health damage, so until you figure it out, the "Go Back" link is your best friend.

As the story progresses, the weapon categories and gear change, reflecting the rise in difficulty, though I'll have to say, the hand-to-hand combat weapons are basically cheat weapons, making it too easy for the player to survive zombies, which explains getting rid of them at the trailer battle.

Generally speaking, the system is balanced and makes the game quite fun to play. It's worth replaying it over and over again, especially for me as I've yet to break the record of score 305.

Overall rating: 7/8

Final stats (just for fun):
ARROWS is 0.
BULLETS is 121.
GRENADES is 3.
HEALTH is 0.
ROCKETS is 4.
SCORE is 275.
SHELLS is 42.
SHOTS is 0.

Honestly,this game was quite good. But it hurt my soul.

why? why? why tear out my heart like this? Poor Ralph. Poor Ali.

An amazing story

the story wasnt really interesting. mostly just an item hoarding simulator where you wont use 90% of your items. main character felt like an edgy badass oc. companions also die a few pages later after being introduced, mostly male ones for whatever reason. cant even get attached or interested in any of them.

also did Will die or what. he was the only one not in sonyas nightmare and there were no mentions of him dying.

Stuck in the stupid puzzle in the beginning. 1/8.

To win you need to be a horrible person - thanks for that...

…woah, man, that’s deep.