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Thunderdome 25: Chris vs Stargirl

2 days ago
All right, I'm pretty excited about this one. Chris, denied his bloodlust by original opponent Blister being a (now dead) pussy and whiny excuse-making liar, gets to face a REAL challenger, newly crowned End-daughter Stargirl. The prompt: A story that starts with the character's first day as King or Queen, or some similar position of rulership. I was excited about this prompt! I think Blister would have had fun with it too, too bad he sucks. Oh well. When the challengers arrived with their stories in hand, I was also pleased with how well each fit the prompt, something Thunderdome duelists are uniquely good about, compared to other offbrand knock off events that may have been witnessed. The stories just the same both managed to surprise me with the direction they went, and were both very good. I think readers will enjoy this battle, so let's let them have at it:

Thunderdome 25: Chris vs Stargirl

2 days ago
Story A: My mother is dead, and the newscasters want my statement. They offer sympathies and stuttered condolences, their gazes swept to the floor as neatly as their bows. If their embarrassed respect is any different than before, I don’t notice. They hold no interest to me now. I only want to get through this hellish speech, and then I’ll go back to my room and order the strongest drink Carter can find. I can’t stand to be sober there. The walls are too indefinite, white bleeding into unmarked white, a cell with a desk and a bed, fit for your majesty. My actual room is too dangerous, they say. We can’t take any chances. The unsaid words bleed into my lungs and stagger my breath. It’s the lights that are causing my eyes to water as I step up to the podium. Kings don’t cry, at least not in public. Smile for the camera, relax your shoulders, and breathe; enunciate your words and watch your tone. I’ve done this more times than I can count. This is no different. It’s with a strange detachment that I wield the role of king. All the subjects I viewed so fondly only yesterday have turned to categories in my brain: those likely to revolt and those not. Their faces no longer hold shape but bend and morph into my mother’s features. I hear myself talking and duly congratulate myself. Though my mind may be elsewhere, I play the role well. My eyes, usually trained on the house insignia, waver to the surrounding people. Most gaze up at me, but there are a few who whisper amongst each other. A madness roils in my chest, a screaming, primal hatred. Revolters or apathetic, I hate them both. I swallow the burn like whiskey and memorize their features. One has a green sweater on and the other two are wearing scarves the color of a robin’s underbelly. Later, when the halls are empty but for guards, I sprawl on my bed and summon Carter. He enters with the grate of keys and the click of locks. “You doing okay?” “No.” My voice is muffled by pillows. I roll over and stare at the tear blots that sit smug, as if they told a joke and now expect me to laugh. I don’t know when I started crying. “Do you have any more intel on, um-” My mouth dissolves into gibbering syllables. It’s not me that's the problem; the words are slippery. “We haven’t caught them yet.” Carter’s hand rests on my shoulder, and I set my lips in a firm line and nod. “We have found evidence, though, that the idea of revolt is far more widespread than we originally thought.” His words are gentle, and though I expect to feel anger, it’s as if my brain ran out of emotions for the day. “Why?” I force inflection into my tone, something I’m usually suppressing. “Well, your mother did raise the taxes, and many were already struggling with food poverty.” “We need the money. How else are we to aid the poor? We’re doing our best to keep everyone alive, but running a country in a drought is expensive.” “Yes, but I think taxing them is doing more harm than good.” “What do you suggest then?” “Bring the taxes back down until we’re more stable. Rains are predicted to be coming soon. Let the lower class get back on their feet, and then you can worry about money.” “It’s not that simple. The government of Ranfoël is pushing for us to pay back the loans.” “They can wait.” “No, they can’t. They’re a powerful force and when they want their money they get their money.” “Or what?” “It’s complicated.” “More complicated than lowering the taxes or starting a civil war?” “Yes, it is. You’re not the king. You don’t know how managing a country works.” “I’m an informant. I may not know everything you do about politics, but this is my job.” “Your job is to relay information. Nothing more. You don’t get to fill it with your opinion. How am I to trust you if I know you have an agenda to push?” We stare at each other in silence for a moment, and then Carter backs towards the door. “Very well, sir. You have a meeting at ten o’clock tomorrow.” “Very well.” I wish he would’ve slammed the door on the way out. After a night full of anything but sleep, I desperately need the morning air to slap me awake. An entourage of guards flank my sides as I step out of the complex that has been deemed my temporary home. Winter air stings my lungs as I steal gulps of it. This is one of my favorite things: walking among the people and blessing their days. It heartens me to know that some still care. It gets sterile trying to decipher politics with old narcissistic lords who only ever want more coppers in their pockets. This deceit is much more honest. I smile widely and nod at the people I pass on the street. Remembering my argument with Carter last night, I toss a gold coin to a homeless woman who sits, shivering in a heap of blankets. She grabs the coin with shrunken, dirty hands and flings it back at me, her apoplectic glare pushing me backward in time to the speech. She, too, has a muted red scarf slithering around her neck. The same rage simmers under my skin, and, suddenly, I need to be alone. Eyes trace my outline like a dot-to-dot. Wind whirls the faint odor of rebellion through the air as I realize these stares are no longer ones of love but malice. Some avert their faces, but many red-scarved people clot together in blistering gazes, their slouched figures prowling side streets and storefronts. My head never lowers, the all too visible crown never falling, until I’m locked in my room again. Meetings drone on like mosquitos. Her funeral disposes of money we don’t have. Half of the crowds don red scarves, the color making me nauseous. It spreads from person to person until all that's left is a carnivorous red membrane. I mentioned it once to Carter, and then to the entire intelligence network, but all I got back were half-bows and mutters of “of course my lord”. We move back into the palace after it has been fortified. My bed, although inviting, gets less use than it should. It’s just been one month, but the only remainder of my mother is her portrait. If her ghost were to haunt the palace, the maids would blame it on other superstitions. I keep expecting to turn the corner in the great hall and see a child scrubbing clean the wall where her picture lays. The only place she exists now is in my head. The resentment from the lower class must be contagious. I find myself wishing to be anywhere but the palace. Each time a deal is brokered or money is spent, the flames in my throat grow. It won’t be long now before my tongue catches fire and burns the kingdom down with me. I’ve just gotten back from a treacherous dispute about trade agreements when Carter slips through my door. His hair is longer than I remember. It reaches towards his shoulders like a desperate man for water. His eyes don’t quite meet mine but instead fixate on a point behind me. “Your majesty.” His voice hammers into my brain. I stifle the urge to fidget. “Carter.” “They’re outside the gates.” “Who?” “Protesters, sir. They’re going to storm the cast-” “I don’t need your opinions. Are they currently storming it?” “No, sir, but they will be soon.” “Why are you telling me this?” Exasperation leaks into my voice. Carter blanches whilst my words echo in my head. “You-” he stops, hesitates, and remains silent. “What?” “Don’t make me do this, Leon.” “Do what?” “I miss our friendship.” “Do what?” My voice is dangerously low. Heat swells behind my eyes, and my temples throb. “You’re not who you were. I know you miss your mom and you’re stressed but-” “Yes, I’m not who I was. I’m king now.” Carter ignores the threat, his words spilling out, each one laying thick across the air. “You need to stop this. You’re letting your heart rule your head. The country is going downhill and everybody knows it. It’s not your fault. Let me help you. Listen to me-” “No.” It comes out as a whisper, but it reverberates louder than any yell. “Get out.” “Leon-” “Get out.” He stands defiant, a temple built of stone to honor our friendship. “Get out. Do you not hear me?” My voice rises to a grated yell. “Get out!” “Please Leon, they're forming a coup. It’s not just the working class.” “Get out!” The words leave my throat in a mangled heap. “I’ll call my guards.” Carter stands for a moment longer, then crumbles and walks away. The door clicks behind him, a lock sliding into place. I drag my feet over to the window. Red scarves writhe under the sun. Guards border the convulsing mob, their weapons snugly tucked into their holsters. One leans over towards the other as if sharing middle school secrets. A staggering realization hits me: Carter was right. Nobody in this country cares to listen to my rule. He may have been my last true friend, and I just shoved him away like the others. I tear my fingers through my hair and think furiously, my headache preventing any logic from funneling its way into my reflections. After agonizing minutes of blank thoughts and a muffled chanting surging from outside, a new idea buries its roots into my head. It’s horrid. It entails giving the people what they want, the very people who plan to betray me at this moment. And yet, I can’t think of another way for me to escape with my sanity. I will no longer be king. I shed the finely made clothes that flaunt my stature and summon a servant to bring me his. I pull those over my head, noting in distaste how holes and dirt permeate his supposedly clean set of linens. I ravage my closet and find a scarlet scarf; it’s not the same shade, but it’ll do. I wind it around my neck like a noose, preparing for the death of my purpose as I know it. I expected this to feel liberating, but all I am is nauseous and anxious. I throw a hood over my head and disguise my appearance as well as I can. Sliding the bookcase aside and slipping into the secret passage, I’m suddenly glad I spent so much of my youth memorizing the complex labyrinth of tunnels that run through the walls. Nobody uses these except for the servants, but I’ve seldom run into them here. I’m only able to carry six bottles, but I soak the floor of the wine cellar before I leave. I ensure the trail of alcohol is large enough for the fire to find its way. I wouldn’t want it to get lost. I run out of liquid just before the corridor merges with the parlor, which has a window that leads outside. The scent of gin fills my lungs as I breathe slowly, like my mother taught me. I’ll have to move fast. The match I pocketed from my drawer scratches across the rough stone wall and breathes warmth onto my fingers. The flame sprouts upward, racing to my hand, which dangles it above the fate I control. This will be my last act as king. The sparks wheel in circles, and I turn to run before they hit the ground. Pushing myself out of the window and onto the streets below, I’m swallowed into a throng of people. Shouts follow my descent, but I’m already shoving myself forward, leaving my past in smoke.

Thunderdome 25: Chris vs Stargirl

2 days ago
Story B: "Do you swear to make it your life's work to serve your people? To overcome all adversity that the kingdom faces so that we may all prosper?" The boy takes in a deep breath, feeling the weight of his responsibility on his shoulders. "I do," he says, and the crown is placed upon his head. "Then I dub you King Peter, first of his name," Sir Edward says. There are no cheers, there is no excitement. The silence is grim and uncomfortable as the knights stand before their newly crowned king. Dawn is breaking and the sun's rays shine gently on the open field, miles away from the castle town that had just been ransacked by the Empire's forces. "Where will we go?" Peter asks, and Sir Edward sighs. "There's a fort not far from here, Fort Heliwin. About a day on foot. We'll make our way there and formulate a plan to strike back at the Empire," he says, and the knights all nod. Peter takes in a breath and nods as well. They set off then to the fort, across the prairies and over the hills and through the woods. When night falls, they set up camp and keep the fire covered as to not give away their position. King Peter sits close to Sir Edward on a log while the other knights set up their tents. Peter looks up at the man, seeing the exhaustion on his aged face. "What will happen to us if the Empire wins?" the boy asks. The old man sighs. "We'll be hunted down. If they find you, they..." He trails off, trying to find a way to avoid telling the boy the horrible things that would happen to him. The torture, pulling out his teeth and cutting off his fingers and gouging out his eyes. "... It won't come to that. I will protect you, my liege. Always." Peter isn't comforted by that. "What if you aren't around, Sir Edward?" "I will be by your side until my last breath." That night the boy's sleep is fitful, tossing and turning on the hard ground. Sir Edward does not sleep, sitting at the dying fire and watching the embers, keeping an ear out for anything. He can feel himself starting to nod off when he hears the thumping of a horse's gallop. No. Not a horse. Many horses. He jolts up to his feet and sprints for the King's tent. "Wake up! Wake up! They've found us!" he shouts. The knights pile out of their tents with swords drawn, patches of armor slipped on hastily. The riders are upon them now. "Edward! Get the boy out of here! We'll hold them off!" one of the knights cries before an arrow pierces his throat. Peter watches with wide eyes as the knight falls to the ground, spasming and grasping at the arrow that pierced his neck. Sir Edward picks the boy up and runs as fast he can away from the chaos. Peter looks back over Edward's shoulder, watching the fighting as it gets further away. So many soldiers slaughtering the knights, putting them down like dogs. Edward finds a small cave and ducks inside of it, hoping to hide from the Empire's soldiers. He places Peter on the ground and stands away from the entrance of the cave, keeping his eyes locked on it like a hawk. There is silence. The seconds tick by slowly, Edward's whole body tensed as he watches the entrance. The sound of horses draws nearer. Then they stop. He looks at the boy. He told him that he would protect him. He will never let those Imperial bastards touch him. He hears the marching of many boots coming towards the cave's entrance. He looks to the boy, whose eyes are wide with fear. They lock eyes and Edward feels tears. "I won't let them touch you, my liege," he says, and draws the dagger from his belt. "You won't suffer." He steps to the boy and grabs him. Peter whimpers. Then he is silent. Edward places the boy's corpse down on the ground slowly, letting the teardrops fall from his eyes. He turns and walks out of the cave to face his death at the hands of the Imperial soldiers. When he steps out, he finds a platoon of the Kingdom's soldiers waiting before him. "Sir Edward!" one of the knights calls. "We were on our way to the capitol after we heard the news! Where is the king?" Sir Edward looks at him with wide eyes, then falls to his knees.

Thunderdome 25: Chris vs Stargirl

2 days ago
I'm glad I decided to actually tune into this THUNDERDOME because I actually don't know which story will win, so that's fun. I want both authors to know, before reading my critiques that I genuinely enjoyed both stories and I genuinely considered both as potential winners. In the end, it came down to which story I liked the most and which resonated with me.

Story A:

I'm not the biggest fan of stories written in the present tense, so Story A was immediately off to a bad start with me. I think the immediacy actually did contribute to the story though. It pulled you in and let you feel the tension and suspense. I actually stopped noticing it about a third into the story.

I do think that there was certainly some weirdness that Story A could have hammered out to make the story just a little better. Some of the more poetic descriptions worked. I thought the description of the white bunker room was solid and called to mind the padded cells for mental patients. The sentence: "The unsaid words bleed into my lungs and stagger my breath," however, doesn't actually mean anything to me at all. A more concrete description of feelings would probably be in order.

There were also a couple details that simply didn't ring true. Most rulers have trusted advisors whose advice is genuinely prized. It's a bit odd that the narrator refuses his advice outright. Other than that, wine is typically not the easiest alcohol to light on fire. I'm pretty sure that's mostly a quality that's a characteristic of spirits.

The thing that stands out about story A is the characters. The feelings of the narrator are clear, Carter has a well stated goal, and I loved the interaction with the old beggar woman. Tossing a single coin at a beggar woman can be both interpreted as a legitimate effort at charity or a slap in the face from the one person with the power to make change. I found this a very good and potential thoughtful story.



Story B:

It was very interesting that both stories, while vastly different, chose to depict the end of a ruler's reign. Story B did feel more like a classic tale, at least at the beginning with knights pledging themselves to serve the boy king. The mood is depicted well with the silence .

This story suffers from a couple of flaws that lessened my enjoyment of it unfortunately. For one, the twist didn't have much emotional impact with me. That might be due to it being predictable, but I think it might have more to do with the fade to black manner of his death. How does Sir Edward kill someone who is both a small, defenseless child, and his liege lord? Does his hand tremble and his lip quiver, does he get it over with quickly, does he moan and get an erection? I don't know. Each of those changes the character in a dramatic way. I think it was a missed opportunity.

There's also a Steven King story with essentially the same plot, so that's a bummer.

I do think the story was paced fairly well. I think with a bit of tweaking, it could have been incredible.



Enough yapping. My vote is for Story A

Thunderdome 25: Chris vs Stargirl

2 days ago

Dang. These were both pretty good.

I liked Story A's buildup of the rebellion, but I also liked Story B's twist ending that reminded me of The Mist. I also like how each author went about the prompt, with Story A taking place over a declining period, and Story B being the first and last day of the King's rule. I like the offhand details about the kingdom's current situation in A, with a mentioned loan (and subsequent tax raise) being the root cause for the rebellion. I like the foreshadowing with B, with the whole "the empire will torture the shit out of the king if the get him" and "I will be by your side until my last breath" stuff.

I'm gonna go with Story A, but only because B felt a little bit abrupt. We don't really get to know King Peter or Sir Edward all that well, essentially only for two scenes before the story ends. I know more than anyone now that there's a word limit to these things, so you can only do so much, but I think Story A manages to characterize more within that limit.

Thunderdome 25: Chris vs Stargirl

2 days ago

Wow! This is my first time voting in a thunderdome so lets see here...

STORY A:

     ENGLISH: If there were any grammatical, spelling, or other english errors I didn't notice. If I missed something in this regard, my apologies.

     PLOT: Pretty good. I'm not great in this category myself and certainly now good enough to write a million words about story A's plot, but there's some buildup and what feels like a cliffhanger at the end. Sure, it's a little short, and I would usually advise on spending a lot more time on building a connection with and understanding of the main character and adding more rising action and climax, but there's a word limit so I'm not going to wiegh that when choosing a story.

     PROMPT: Story A follows the prompt entirely and without buts, excepts, or anything else that would be, "But maybe this isn't really like the prompt...". 10/10 for this for story A.

     CHARACTERS: The main character was good, and the servant dude who was a friend or whatever I already forgot his name was nice but seemed more like something extra that was being used to communicate the main character's condition/thoughts to the reader. Sure, you don't have many words, but maybe comunicate these another way or add more depth to servant dude. The beggar was the only other directly refrenced person in this story unless maybe that servant the main character called to put on their clothes counts, and this is very few characters. Normaly I'd critisize this, but it's a thunderdome no one has more than a few characters in a thunderdome ans still has enough words for a decent story.

     ENDING: It wasn't too abrupt wich is immediately a green flag for me (says the person who had a ending way too abrupt in her thunderdome entry). There was buildup to it, but this feels more like the climax than the resolution you would expect. It seems like a cliffhanger, maybe you want to make more after this in a storygame or shortstory, or maybe you left it like this because of the word limit and it was good enough as is.

     OTHER / OVERALL: I agree with petros about that part about how unsaid words are bleeding into the main characters lungs as a metaphor or however it went, not only does it need more emotional discription but feeling something like that in your lungs feels more like panic or actual physical pain to me. Maybe severe fear. Maybe one of these emotions is there and I somehow like an idiot missed it, but if it isn't that line really doesn't make sense to me. Anyway, overall, pretty good.

STORY B:

     ENGLISH: If there were any grammatical, spelling, or other english errors I didn't notice. If I missed something in this regard, my apologies.

     PLOT: We start with no exposition, just go right into it. In story A there was a least a bit of introducing the main character. Anyway, it builds up not very well then ends with Edward killing the king out of the goodness of his heart in a sense and it turns out pointless. I'm going to point out something very obvious to me here: there's practically no emotion. It feels flat, and the characters feel flat. I feel this with a lot of thunderdome's considering how short they are but this is as flat as the paper I draw on. There's attempts at emotion, for example Edward killing the king at the end, but it's just empty. There's not enough description of the characters to hurt from losing the king or to feel Edward's pain when he discovers the king's forces outside and you don't describe the scene of the kings death in enough emotional detail to make up for it.

     PROMPT: Story B follows the prompt entirely and without buts, excepts, or anything else that would be, "But maybe this isn't really like the prompt...". Just like story A. And yes, this was copied and pasted because I had the same thoughts and felt lazy.

     CHARACTERS: As I said in the plot section, the characters are flat. I really don't have enough to go off of to write much about them. The king obviously wasn't ready to be king in any way and Edward is a nice and loyal guy. No emotion or connection. No more depth to who they are.

     ENDING: Again, not too abrupt, but it just feels so flat. I've said this a lot already, yes, but I'm not feeling anything here.

     OTHER / OVERALL: Flat, this could be great but it needs more attension to the tension.

I vote story A

Thunderdome 25: Chris vs Stargirl

2 days ago
Wow! I thoroughly enjoyed both stories! I mean, I kind of expected to considering that I'm a huge fan of Chris's writing and Stargirl has been really bringing it lately! I mean, her last thunderdome story was so good!

Anyways, let's get on to the review.

I can't tell who wrote what, but I know that both stories are quite well done in terms of plot, writing, and style. It was a hard choice, because on one hand, the story I wanted to vote for felt a bit abrupt. I think B could have stood to be a bit longer, because while I really loved the twist(good job on that btw, it made me really appreciate the command over story craft this writer has!), I kind of wish it were longer or that we could have seen a dramatic final combat scene.

I am a bit hesitant to vote for B give that it was 700 words, but regardless, something about B drew me in emotionally more than A, and thus, I vote for story B. Like, I know that B could have been longer, but that final image really stuck in my mind, so I'm going with Story B

Thunderdome 25: Chris vs Stargirl

2 days ago

You definitly had a much higher opinion of story B than I did.

Thunderdome 25: Chris vs Stargirl

2 days ago
You'll understand when you're older

Thunderdome 25: Chris vs Stargirl

2 days ago

Understand what, why the story deserves more than I gave it?

Thunderdome 25: Chris vs Stargirl

2 days ago
Can't tell you. You're too young

Thunderdome 25: Chris vs Stargirl

2 days ago
Alright. The coming of a new edition of thunderdome means this guy gets dragged out of his cynic cryochamber to provide another semi-unhinged rant for the authors to hopefully take inspiration from and the others to enjoy. Now I've heard through the grapevine these stories would be actually good (but seriously, this time it'll be different, trust), so hopefully my rant will be a short and positive one. Perhaps it'll even end up looking like it's been written by RK, though I seriously do doubt it.

So as usual let's start with what I will be looking for before I get into reading the two offerings. The prompt is a good one, and a relatively simple one to boot, one I think even the gazette crew would be hard-pressed to fuck up. The first day as King or Queen is so straightforward and simultaneously evocative that I think the collective mind immediately goes to the medieval era of romanticized knights, greedy nobles, fair ladies and grand coronations.

Now the prompt does pamper you two with the 'or similar position of rulership', but between you and me, we all know that any attempt of getting creative with it is just inherently less cool than a proper medieval tale and probably means you'll end up losing this match, so kindly fuck off if you went tribal or sci-fi with this. Later age historical kings or queens would be okay, I guess, but the point the sword becomes a ceremonial ornament rather than an active tool of war the whole royalty thing loses its appeal to be honest.

I mean, we have a King and that guy's nothing more that a fat schmoozer who acts more like an uplifted citizen than true royal, lacking any majesty.

Anyways let's start, I write my review as I read, yadda yadda, you get the drill.

----

Story A:

Goddamn. The newscasters are a grim omen for how much I'll enjoy this tale. The only knight I'll be reasonably be able to expect here is a fifty year old peacock named Roderick who'll be swinging court papers rather than a sword, alongside a belly more rotund than yo mama's. And yeah that's not a good look.

Ahem, the writing here is on an actual good level and you did write it in first person present tense, which is placed just slightly below first person past tense on the scale of how much I enjoy the style. Kudos. The problem is rather what the writing describes. This new king is apparently an absolute monarch in modern times (but not so modern a single drought doesn't fuck up an entire country lol), since he can single-handedly decide things about taxes and rebellions, which is cool, but he's being so melodramatic and angsty about it I can't help but start rooting for those willing to rebel. And I don't think the story wants me to root that way.

I mean his headspace takes up all the writing's attention, which is a regrettable side effect of the first person perspective. It leaves little room for the surroundings if the main character doesn't find it important. That results in the royal pomp and the ceremony, that divine right to rule and all that entails being completely missing from the story.

Hell even the royal court is severely lacking to the point I'm thinking this palace holds just our dude, a dude named Carter and a handful guys our dude can moodily glare at. Yeah, no wonder the people want to rebel. I'm right now at the point our king crashes in the room with Carter and honestly, if you'd exchanged the king title with a pleb one of CEO or president of a failing company, essentially nothing much would need to be changed. There's a very terminal lack of majesty involved in this story about supposed royalty. Now I would normally have to think of something witty to say, but for fuck's sake, the lackey calls the King a lower cased 'sir' and that's it.

Another nitpick is the dialogue itself. The lack of any inflection or additional actions interspersed with the back-and-forth, while extremely economical in word-count, does seriously hamper the depth of the scene, something that was present in the previous paragraphs. Hell, I'm now picturing two T-posing characters alternatively uttering the required loredump bits in the most monotone fashion.

As an aside, I am debating my previous statement because this protagonist is so clearly an asswipe I can't imagine the author making him out for anything else, in which case it's actually GOOD though very heavy-handed writing. Like, is there even a single redeemable character trait this guy has?

Still, as a short story it isn't satisfactory. We're not reading about a king. Rather we read a story about a spiraling tragedy without that first act that makes you care about the character subject to that tragedy. And in the end, he kinda just gives up. That's it for the conclusion. Yeah, I'm leaving this story feeling more miffed than entertained about it all.

Writing: 4/5
Entertainment: 2/5
Royalness: 0/5
Enter's Whim -2
Total 4/15

------

Story B:

Now this story takes a turn I hadn't anticipated, and I was stupid for not anticipating it. Rather than going historical or sci-fi route, it goes the fantasy way of replacing all the burdensome historical references with things the author can just write about without any prior research: a tried and true strategy. So we have a generic fantasy kingdom of the prairie fighting against the much more inspired evil nondescript Empire. But hey, it's a short story. I get it.

Still. I do not mind because it seems to be close enough to that medieval zeitgeist to scratch that same itch. Here I actually feel like I am reading about a king. Yes, it's not a majestic king. But that's natural. This looks to be an impromptu coronation in a war they're losing, a field promotion if you will. It's a boy-king that functions more as prop than a true king to his people, a banner to rally behind. And even despite all of that this boy-king receives more respect than our previous royal asswipe.

The tempo is good. The writing style is concise, staying out of the way to let the plot grab the reader's attention. Before I know it, I'm already thrust into an action scene and a hasty retreat. I'm thoroughly entertained. But it is here I start seeing the first sight of Petros' post and am left wondering why this entry was so short, after all it barely started.

Seriously man, it looks like you suddenly had to shit and rushed to hand it over. The climax, the twist and the conclusion are all bundled in just two paragraphs and another four lines. Forget about the epilogue. Now I don't usually look up the wordcount but with seven hundred something words you've barely used half of the limit.

My previous comment about the generic kingdom and empire? Yeah that could've been expanded upon if you have over half your limit still to spend. Instead of a conscious decision to prioritize the plot, now it's just lazy writing. The emotional climax and aftermath of the most loyal knight killing the boy-king to save him from feared harm? Yeah that just didn't make the cut, apparently. A more gratuitous action scene? Yeah forget about that, the writer had to take a shit instead.

So yeah, let's end this review here as well, so it'll be ready for when he comes back.

Writing: 4/5
Entertainment: 3/5
Royalness: 3/5
Enter's Whim: -2
Total: 8/15

In short: B won. Congratulations.

Thunderdome 25: Chris vs Stargirl

2 days ago
Enter, I like your reviews. You're a pretty good judge, and you explain things really well! But I also haven't seen you give many high scores, so I was wondering if you've given a 15/15 before?

What's been your favorite story out of the thunderdome so far? Like, of all time, what's the best story you've seen so far?

Thunderdome 25: Chris vs Stargirl

2 days ago

If he's given anything a 15/15, it's probably something of endmaster's.

Thunderdome 25: Chris vs Stargirl

2 days ago
I'll check it out! Thanks!

Edit: Wait a second... Enter, that's your story!

But honestly, even though you're definitely biased, it's still a genuinely good story, so you know what, I'll give it to you.

Thunderdome 25: Chris vs Stargirl

2 days ago
:jerry:

Thunderdome 25: Chris vs Stargirl

2 days ago
They are both really good but the writing in Story A is very sharp (most of the time. It stumbles at times, perhaps due to the time limit.)

This is a striking paragraph: "Meetings drone on like mosquitos. Her funeral disposes of money we don’t have. Half of the crowds don red scarves, the color making me nauseous. It spreads from person to person until all that's left is a carnivorous red membrane."

Story A builds an entire world with consequences while I was just not as intrigued with Story B.

Thunderdome 25: Chris vs Stargirl

2 days ago

Too lazy to review this time and everyone else is actually putting in effort. As well as that both authors are fantastic and don't need a noob's mad ravings regardless.


Story A: 7/8


Story B: 6/8


Story A has my vote!

Thunderdome 25: Chris vs Stargirl

yesterday
Two really good stories that take the prompt in different directions, but are also quite similar in terms of setup and themes. Both start with a new King, who’s wildly unprepared for the task set in front of him, and both end with a reign cut short due to things out of their control. Both even feature a close aid/confidant character that ends up “betraying” the protagonist by the end. There still are plenty of differences to make each story unique, and most of those make me lean towards Story A.

It’s not a perfect story, especially the opening is quite confusing to get a grasp on in terms of time, place and circumstances, but the writing is solid enough that it stops being a problem once the story gets properly going. Story B’s setup was much easier to get a grasp on, and the whole thing flowed better from start to finish, but compared to A it felt quite short. The main thing that ultimately decided on the result I feel like is the ending. Both stories aim for a twist, but A does a better job between coming up with something more unexpected and executing the idea better. In my opinion B didn’t really earn the emotional payoff of its ending, partially because it didn’t do nearly enough work building up the characters to make Edward’s decision sting, and in part because the ending is borrowed from The Mist, which in my eyes only lessens the impact since I can’t help but compare the two. A’s superb writing means it would still probably win if I wasn’t aware of B’s inspiration, but it’d be much closer to the point of possibly being a toss-up if Story B did a bit more work in terms of characterization.

Thunderdome 25: Chris vs Stargirl

yesterday

Despite Story B being significantly shorter than Story A, it had a much bigger emotional impact on me. As such, I'll be voting for Story B

Thunderdome 25: Chris vs Stargirl

yesterday

I have no idea if it's my place to vote, but oh well.

Story A: 

I liked the plot of this one, and how it immediately set up the problems: Mom's dead, MC has an alcohol problem, and that we see more as the story progresses, the kingdom is in debt, he's basically numb, especially in public settings, and he pushes people away.

The ending, as well, was wild to me because I didn't expect him to just go and commit arson, as well as it fully expands on the problem of him pushing Carter away, telling him to get out, and another random thing I liked was that it was set up a lot like a kingdom with the red scarves. (Which I'm guessing is the kingdom color)

As for things I didn't like, I do agree with some other people who voted that there were some fancy words that sounded nice, but didn't really mean anything to me, and honestly the thing of them not actually being able to get rid of the taxes made me mad, and the rebellion honestly made sense to me, like, if I lived in this world I would be part of the rebellion too. 

Story B:

I liked the plot of this one also, and I appreciated how it started at the coronation; it set up the story and left room for the rest of the plot. I also liked the foreshadowing, good job!

As for the ending, I found it interesting, and I love plot twists. Also kinda sucks for Peter, cause imagine becoming the king and then getting murdered by the person you basically least expect the next day, poor guy.

For the things I didn't like, I wish there were more buildup to the story. Dang it, Peter, fight back!

 

I'm going to have to go with Story A, and for Story B, I wish there was just more, more build-up, the pressures he had of becoming a king, him fighting back, not necessarily about the length, but the story itself.

Thunderdome 25: Chris vs Stargirl

yesterday
Interesting that both stories are the first and last day of a reign. Both are very well done, certainly better than the last couple of short stories I did. Story B was more emotionally evocative, but also shorted and telegraphs the twist ending a little early for my tastes. My vote goes to Story A.

Thunderdome 25: Chris vs Stargirl

yesterday
I shall vote for Story A.

I already knew this one was going to be an exciting match when Mizal gave her approval to the stories before they were even released. But even with those expectations, these stories blew me away. Stargirl and Chris, you both did amazing.

I chose to go for Story A in the end mainly because I felt that it allowed the King's character to develop a bit better as opposed to B where the King just ends up being killed.

Thunderdome 25: Chris vs Stargirl

16 hours ago
I get a weird sense that Mizal doesn't like Blister.

Story B was too short and Story A was too long. But were good for different reasons though so this is a tough match.

I'll vote for Story B, it wasn't perfect and yes the twist is the one from The Mist, but it was used well here, and the story kept the action moving to a dramatic end and didn't really linger long enough for you to notice its flaws. Story A on the other hand used the full word count but felt like it was just running in place for most of it. Until the very end the main character doesn't really do anything but mope around having feelings, and in the end we were denied the satisfaction of seeing their head on a pike.

But anyway, just curious when the match with me and Petros will start, it's this weekend right?

Thunderdome 25: Chris vs Stargirl

15 hours ago
Shaking in your boots already?

Thunderdome 25: Chris vs Stargirl

12 hours ago
Blister was a crushing disappointment, it's very gay when they get your hopes up giving you cause to think they might be improveable.

I'll be closing the vote here tonight and sending out prompts right after.

Thunderdome 25: Chris vs Stargirl

14 hours ago

Mizal doesn't like blister after what happened